Three generations after its birth, Spirou is going digital!

Apr 25 2013

The all-time Belgian classic, published since 1938,  is now more than just a comic-strip journal! Emakina joined forces with Dupuis Editions, creating a digital extension of the comic strip in the form of the Spirou.Z mobile app. In doing so, Dupuis is targeting the children of 2013, using their preferred language: the touch screen.

The Spirou.Z app presents new editions of Spirou but not only! First, users can choose viewing ‘caption by caption’ (using TurboMedia technology), horizontal and vertical scrolling, or a digital flip book. Second, the app features original games and fun activities. Finally, users gain access to extracts from Dupuis’s multimedia archives, unveiling unedited content of the past 75 years!

spirouz

The Spirou.Z mobile application is currently available for iPads (on the iTunes Store) with versions for Android OS and other tablets foreseen for the near future. The application will release new editions on a monthly basis.

Is Ghent the new Mecca for mobile apps?

Apr 11 2013

The Reference, a proud member of the Emakina Group, has recently announced its partnership with TapCrowd, a ‘self-service’ app building platform.

The collaboration between the two Ghent-based companies completes the offering of The Reference/Mobile to a 360° mobile agency  and supports TapCrowd in the further expansion of its success story.  As partners, The Reference/ Mobile  will integrate mobile apps, developed on the TapCrowd platform with the possibility of adapting these apps to the specific needs and demands of each customer.

TapCrowd-TR

Frederic Schroyens, Head of Mobile & Tablets at The Reference/Mobile:For some of our customer segments (mainly for concerts, festivals, conferences, seminars, retail, amusement parks, cities and police) a thoughtful choice of TapCrowd modules is the ideal, affordable solution. Starting from the TapCrowd platform,  We are very happy to be able to complete our offer with the modular mobile solutions TapCrowd. This is a great opportunity for both The Reference, as well as, for Emakina Group within an international approach.”

Joost van ’t Hullenaar, VP Sales with TapCrowd:We are  very happy to welcome a renowned party like The Reference as our new partner’. We very much look forward to working with The Reference to create cost effective high quality mobile apps for customers in Belgium and to introduce our product on a European level via Emakina Group later on.”

 

The Volkswagen Magazine now has a (digital) life of its own!

Feb 25 2013

It’s been a while that Volkswagen publishes its own magazine, covering topics like lifestyle, innovation, and hot news from the automotive industry. Now it was time to give the magazine an online dimension. Emakina was called for this mission of developing, designing and maintaining a highly-visual portal of the VW Magazine. Our approach was to build on the existing print version but to add all the advantages of an online publication.

 

VW1

Read the rest of this entry »

Get your front-row tickets to hear Belgium’s greatest (digital) minds!

Feb 1 2013

The BMMA is a network of over 500 professionals in the fields of management, communication, and marketing. For the past 40 years, this unique association has put together numerous conferences, discussions, presentations, and networking events which foster synergic opportunities and form an exceptional thought incubator.

http://www.dailymotion.com/video/xwfe61

On February 18th 2013, the BMMA will launch the second edition of its famous dinners, titled “10 Mondays to get back on the digital track“, a course for established marketers who would like to get up to speed with the different digital skills and see how to use them in their day to day practice.

The concept is simple; every week a new topic will be presented by a digital expert. Presenters include Hugues Rey, CEO of Havas Media; Joelle Liberman, head of Egerie Research; Bruno Van Boucq, managing director at Beweb, Patrick Willemarck Dialog Solutions and our very own, Amélie Sainthuile, digital strategist at Emakina.  Amélie’s presentation will enlighten us on how to use social media to build a relevant digital ecosystem for brands.

Being an important industry partner of ours, BMMA is offering a 15% discount to all Emakina’s clients and 25% discount to those of Robert & Marien. For information and registration, please visit www.bmma.be and then contact Thierry Antoine to claim your discount (tantoine@ulb.ac.be).

The Spiral: let the figures speak!

Dec 14 2012

The extravagant pan-European production of The Spiral might be officially over; but the way in which it redefined public engagement through  multiple media is still to be studied and explored! Our latest analysis indicates the critical role of the online platform in this international success story. Developed by PKA Wanabe, a member of the Emakina Group, the platform allowed various levels of online engagement, depending on each user’s preferences.

The lowest level of participation (other than that of passive TV viewers) was that of users searching the masterpieces on our online mapping game. Many users, however, went a step further, creating their own MySpiral profile so they could take part in the game’s indoor and outdoor creative challenges. We now know that within the 36 days of the game, the map was searched almost 1.3 million times by over 140,000 users across Europe! In addition, almost 20,000 images were uploaded, some of which were even incorporated into the TV series.

YouTube Preview Image Read the rest of this entry »

Today on RTL : Alexia Van Cranenbroeck commenting on Windows 8

Oct 30 2012

RTL’s “Les Teknophiles” programme is dedicating its next show to Microsoft’s Windows 8, inviting Emakina’s Alexia Van Cranenbroeck  as a special guest. Alexia will share her thoughts and insights on what the launch of this new operating system really implies.

Windows 8 is a unique combination between a desktop and a tablet interface. Is that good or bad? Should we all upgrade to run Windows in Metro View; or should stick to the traditional desktop of Windows 7? Will the masses go out and buy touch screens to fully benefit from its potential? The programme will attempt to find answers to such questions and to many more!

 

 

Today’s programme (in the French language) will be recorded today, October 30, and will become available throughout the evening. Click here to watch it.

 

Geneva asks ‘Quelle Genève?’, with the help of Emakina.CH

Sep 26 2012

Quelle Genève?

With this provocative question, Emakina.CH is at the heart of a new debate on the future of the city of Geneva and the region. Both have resisted to the international crisis. Now the time has come to open up to the world, fight populism and protectionism and invent a new international and positive story.

 

Michel Balestra,spokesperson for “Quelle Genève?” and Didier Zanone, partner of Emakina.CH present the campaign (Image: Steeve Iuncker Gomez, Tribune de Genève)

So the Business Federation of the Romandie Region, the Chamber of Commerce, Geneva Financial Center and Economie Suisse asked Emakina.CH to create a campaign to start a true interactive debate on the future of the city. Read the rest of this entry »

This Wednesday on RTL : Brice Le Blévennec commenting on the new Apple Keynote

Sep 11 2012

 

RTL’s “Les Teknophiles” programme has decided to dedicate its next show to the new Apple Keynote, inviting Brice Le Blévennec as a special guest. Brice will share his thoughts and views on the iPhone5.

The show will be aired (in French) on Wednesday, September 12 at 19:10 Brussels time. Click here to watch it live.

 

PKA Wanabe is asking for your help in finding six stolen art pieces…

Aug 21 2012

PKA Wanabe, a member of the Emakina Group, was selected to set up the web platform of The Spiral, a cross-border and cross-media interactive game. You might have not heard of it yet but this is about to become the new buzz across Europe!  The Spiral is a television programme, aired simultaneously in eight European countries: Belgium, Sweden, Norway, Finland, Denmark, France, Germany, and the Netherlands. Produced by the international Brussels/ Los Angeles based Caviar Films company; the series tells the story of an art community, centred in Copenhagen, and its charismatic leader – who conspires to steal six of the most important paintings held in museums across Europe.

 

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Yet, being a cross-media action series, The Spiral is not like any other TV programme you’ve seen before! Viewers in all participating countries are invited to compete over finding the stolen masterpieces, through a game involving both online tasks and off-line challenges. As for the group of rebellious artists, they also have an online presence, in the form of a Facebook group which follows the developments and sends out challenges and instructions. Apart Facebook, the fictitious story universe of this project includes numerous other websites.

Due to the fact that PKA Wanabe is based in Waterloo, the production was entitled to financial support from Wallimage, a public fund which supports Walloon audio-visual productions.

From anonymity to fame – the CE-E robot is now a singing phenomenon!

Aug 6 2012

You knew you could rely on him for toy certification, but did you also know he can also sing?

Back in February, Emakina/ Motion produced a viral clip on toy safety for the European Commission’s Directorate-General for Enterprise and Industry (DG ENTR). The clip was a huge success, among other reasons, due the original 3D characters, led by the newly-created star: the CE-E robot. The little hero spends his nights in a toy shop, checking out his fellow toys (especially Barbie…) to make sure they are safe for use. In fact, CE-E was created to raise awareness of the EU toy certification (CE marking), ensuring they are safe and well-explained to potential buyers.

Since we all fell in love with little CE-E, we were delighted when the Commission asked us to produce a new clip, in which the robot reveals his singing skills…!

The challenge in both these clips was to target both young children and their parents, across Europe. In order to do this, we invested in fine 3D animations, witty song lyrics, and an original catchy tune (warning: very catchy tune!). The song has already been produced in English, French, and Spanish, and we are currently working on the next language adaptations, including: Italian, Polish, and German.

When seeking CE-E’s response to this post we received the following statement from his agent: “I would like to thank my fans across Europe for their love and support, and to reassure parents that even now that I sing and dance during the day, I am still dedicated to testing toys every night. Despite my newly-acclaimed fame, other than upgrading to a fancier shelf in the toy store, and buying Barbie the doll house she’s always wanted, I am still the same simple robot”.

Emakina’s campaign for Test Achats chosen “Campaign of the Month” and going global!

Jul 9 2012

Following the great success of previous collaborations between Emakina and Test-Achats, the Belgian consumer-protection organisation has contacted us again. This time, we were asked to promote the organisation’s “Best Buy” service, offering Test-Achats members, access to a comprehensive data base of product analyses. So before spending money on buying a new camera, phone, television, or even a bicycle – it’s worth checking what the Test-Achats experts have to say about your product’s value-for-money. As opposed to other comparison sites, the Best Buy platform is not based on subjective consumers’ impressions but rather on a series of extensive scientific tests, conducted in laboratory conditions.

This was a key element of our approach when Emakina was asked to promote the new service. In a set of print ads we presented various electronic appliances disassembled into their smallest particles in order to illustrate the thoroughness of the testing process. We know this was a huge success, not only because “Media Marketing” magazine  chosenit as “campaign of the month” (in its May 2012 edition) but also because this campaign was subsequently exported to the Test-Achats branches in Spain, Brazil, Portugal and soon Italy. What started off as a local campaign to assist Belgian consumers is now expanding all over Europe and has even crossed the ocean!

One out of four is already ‘wow’!

May 14 2012

But in order for Brice to win the ‘Wow Effect’ award he still needs your vote…

 

What is that all about? Well, the Belgian Direct Marketing Association (BDMA) runs a competition for selecting the person who had the greatest contribution to the direct marketing sector. One of the four candidates for this year’s award is Emakina’s Chief Visionary Officer, Brice Le Blévennec.

That’s all you need to know. Now go execute your democratic right and vote (for Brice)!

 

 

The new EU groove will make you wanna move!

May 7 2012

How do you take an abstract and complex topic, such as the contribution of the eco-industries to the European economy, and turn it into a viral clip? This was the challenge, posed by the European Commission to Emakina.EU, member of the Emakina Group, specialising in communicating the European institutions. The goal was to promote “Eco-innovation”, a programme run by the Executive Agency for Competitiveness and Innovation (EACI), supporting private initiatives which have a positive impact on both the environment and the European economy.

The great level of trust we gained from the client allowed our creative directors to explore new concepts, off the beaten-track of the typical “institutional” clips. Their idea was to “personify” the themes of environmentalism and economic activity in the form of two dancers.  The artistic interplay between the dancers metaphorically expresses the synergic potential of the two fields.  It was meant to rebut the misconception that environmentalism stands in the way of economic growth and show that the two can in fact enrich one another.

The clip was produced entirely in-house by Emakina.EU, including its original soundtrack music. In order to develop the concept and properly illustrate the relationship between the dancers, it was decided to produce a clip which lasts over two minutes, long in today’s standards of viral clips. The video will now be disseminated on the most popular social media,  targeting potential entrepreneurs who may be eligible for an EU grant.

 

Do you watch Food Porn?*

Apr 25 2012

It’s been a few years now that the terms “food porn” or “foodography” have been used in culinary contexts. This new jargon was born in the United States but later expanded into Europe. First, let’s be clear: it’s not about pornography. Food Porn has nothing to do with the art of individuals exposing their bodies in front of a camera!

 

 

The concept originates from social changes that took place over the past generation. Cooking is above all a way of passing on a cultural heritage, often one that runs through the family. The redefinition of societal values during the 70s and 80s created a cultural deficit which deprived an entire generation of its own gastronomic heritage.

Logically, the Internet quickly filled this gap, becoming a new platform for sharing culinary know-how. Cooking blogs, typically maintained by passionate self-taught cuisine experts, have thus been multiplying, turning certain bloggers into mini web-celebrities. At a time when service providers are becoming cultural heroes, a manual activity like cooking is at the spotlight.

It’s all about sharing. We often associate cooking with love or affection. Several phases in the cooking process are important: there’s that of passing on the knowledge as mentioned above, then the creative part, and finally the actual action. But the moment which is mostly appreciated by those who sweat above their stoves is that of the feedback, of offering commentary. Cooking is a way of putting oneself at the forefront, of seeking recognition. TV shows like MasterChef or Come Dine With Me joined the online trend, bringing the commentary addiction to a new level, due to the competitive component, as well as the reinforced attention to food aesthetics.

Socials networks now allow any cook to share his or her activities with audiences larger than ever before.  Such “Foodies” (or cooking amateurs) have thus also become photographers, cherishing their work in pictures in order to later share it with followers and friends; a habit which is now known as “food porn”. The term was originally used to describe quasi-erotic TV commercials which presented food (often vegetables) in a sensual way.  Nowadays, the term “porn” can be found in various contexts, often describing a mix of images, meant to lure viewers towards a certain topic (architecture, automobile, etc.).

The more visually attractive the picture is, the more tempting its object becomes, and the more it will generate feedback and comments on social networks. In an era, known for its documentation of our almost daily existence, photography has become an image-based conversation tool.

In 1825, French gastronomist Jean-Anthelme Brillat-Savarin wrote: “Tell me what you are and I shall tell you what you eat” (which later evolved into the popular Anglo-Saxon idiom of “you are what you eat”). Things haven’t changed much since the time of Brillat-Savarin. Presenting in images what we eat is the new digital way of presenting oneself, of telling our story. The time when we eat makes up an important part of our daily lives, thus with three meals a day, food is a major part of our existence.

Mobile technology allows anyone to take a picture, share it, and comment on it. The wide spread of high-quality digital cameras plays an important role in this trend, well understood by brands like Nikon and Canon. Most of their models now have a “food mode” feature for optimising the quality of culinary photography.

Social platforms like Instagram or Pinterest are sometimes seen as the El Dorado of some (very) amateur food pornographists. Users’passion is often so great that it sparks mockery as illustrated in this “Read Write Web” article. Indeed, with Facebook pages such as this, it is hard to deny the article’s criticism… Sharing a picture of your pale ham and eggs from last Sunday is like thinking that your holiday photos resemble the Swimsuit edition of “Sports Illustrated”.

The most commonly-shared food pictures on social networks are desserts (18.3%) and vegetables (17.8%). High ranking of desserts can be explained by their aesthetic looks and colourfulness.  Vegetables, on the other hand, have become a symbol of a healthy lifestyle, a trendy concept on its own.

Different motivations drive the picture sharing of home-made versus restaurant-made dishes. The former satisfies our need to be recognised for our skills, also known as the “IKEA effect”, wanting to share all our “I-did-it-myself” items. The latter, however, celebrates our individual’s capacity of being a “discoverer” of the best eateries, using photos as “proof” on social recommendation platforms. Many mobile applications are currently riding this trend, including Foodreporters in France and Foodspotting in the US. The fact that consumers prefer their peers’ advice over those of brands or institutions is creating an earthquake in the world of food guides. While many of those guides try to join the digital revolution, brands like Michelin or Gault Millaut are the first to pay the price for the rise of food porn.

 

*Originally written in French by Théo Saulnier for the Emakina.FR’s blog.

Emakina strategist Amélie Sainthuile to present at Brussel’s annual “Media Night”

Apr 24 2012

Like every year, Belgium’s school of social communication (IHECS) organises an event dedicated to presenting its students’ projects, and bringing together communication experts. This year, organisers invited Amélie Sainthuile, Digital Planner & Social Media Strategist at Emakina/ Strategy and Emakina/ Social. She will talk about public relations with new media.

 

 

The event, titled “Nuit de medias” (media night) will take place tomorrow, April 25th at 19:30, at the school’s venue, located at Rue de l’Etuve 58-60, Brussels (two steps away from the Grand Place!).